Meanspeed® Music Review

Entries tagged as ‘Cognitive Tempo’

The Speed of Loneliness – Green Day rocks to a Lonely Tempo with elegant contempt – "Boulevard Of Broken Dreams" – from AMERICAN IDIOT

June 20, 2009 · Leave a Comment

The Boulevard of Broken Dreams is a contemporary piece of music by Green Day. The song, though released years ago, becomes more popular each day, holding at Google’s #7 on the trend list.

Meanspeed-Spencer Summary
song=”The Boulevard Of Broken Dreams”
performer=Green Day
composer=Billie Joe Armstrong, Mike Dirnt, Tre Cool/Mike Dirnt, Billie Joe, Tré Cool
total time elapsed=2,198.23 seconds
total beat measured=3,060 beats
average number of beats per trial=340
average time per trial=244.24777 seconds
meanspeed/average velocity/standard tempo=83.5 beats per minute
emotive speed territory according to meanspeed music theory=loneliness
average beat=0.718 seconds
album=America Idiot
Size=8.1 MB
Bit Rate=258 kbps
Sample Rate=44.100 kHz
Volume (-13.0 dB)
File type=m4a
Profile=Low Complexity
Channels=Stereo
Encoded with iTunes v7.5, Quick Time 7.3.1

Boulevard-of-Broken-Dreams-Speed-of-Loneliness-universal-standard-tempo-map-7-Green-Day-772502_2

Boulevard-of-Broken-Dreams-Speed-of-Loneliness-universal-standard-tempo-map-7-Green-Day-772502_2

Boulevard of Broken Dreams - meanspeed music school psychology of tempo map 1

Boulevard of Broken Dreams - meanspeed music school psychology of tempo map 1

Boulevard-of-Broken-Dreams-Speed-of-Loneliness-universal-standard-tempo-map-22-Green-Day-700487_2

Boulevard-of-Broken-Dreams-Speed-of-Loneliness-universal-standard-tempo-map-22-Green-Day-700487_2

meanspeed music school
/John Andrew Newman/
6/20/09

Boulevard-of-Broken-Dreams-Speed-of-Loneliness-universal-standard-tempo-map-22-Green-Day-700487

Boulevard-of-Broken-Dreams-Speed-of-Loneliness-universal-standard-tempo-map-22-Green-Day-700487

John Andrew Newman
Meanspeed Music School
June 20, 2009

Categories: International Language · Mathematical Psychology · Music Psychology · Neurology · Psychology · Rhythm · Speed · Tempo · Tempo · music
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Tempo Analysis of SWEET CAROLINE – Neil Diamond – part one – 127.9 beats per minute – Tempo Graphics, Calibrations, Video Embed of Neil in concert

June 17, 2009 · Leave a Comment

Neil Diamond was inspired to write his 4- year  old still going strong (sorry) “Sweet Caroline” when he was a very young songwriter during the John F. Kennedy Administration.  Neil saw a picture of Caroline looking “sweet and innocent” in some photos he saw in a magazine in 1962.

It’s a tricky cross-over song.  As in: sure, it’s part kitsch, a la Barry Manilow, another Brooklyn musician of supposed Hebraic background.  So how has it stayed around?  Socially, because the Irish descended Americans love it so much – and at Red Sox games, it became a fan favorite.  Yes, it has a smooth vamp and maintains a groove that still is catchy.  At the same time, Neil teases the listener and even singer, hence the song as a great sing-along by SYNCOPATING each verse.  During the verses, Neil continuously comes in on the “2″ or “3″ where most songs see the main melody notes on “1.”  Sure  enough, by the first chorus where we all sing SWEET CAROLINE!, it is the first of only two bars where there is a strong entrance on the ONE .  That is usually fun.

On top of that, the song is played at the speed of victory according to the Newman tempo Scale introduced by the meanspeed® music school.

BEATS PER MINUTE ANALYSIS - SWEET CAROLINE - 9 trials - time velocity calibration by the meanspeed music school

BEATS PER MINUTE ANALYSIS - SWEET CAROLINE - 9 trials - time velocity calibration by the meanspeed music school

Neil Diamond - SWEET CAROLINE - tempo graphic by the meanspeed music school

Neil Diamond - SWEET CAROLINE - tempo graphic by the meanspeed music school

Meanspeed-Specer Summary

song title=Sweet Caroline

composer=NEIL DIAMOND

performer=Neil Diamond

mean speed=127.0 beats per minute

average beat=0.479 seconds

/Ian Andrew Schneider/

meanspeed® music school

Categories: Academia · Alternative Therapy · America · American Apartheid · American Idol · BPM · Cognitive Tempo · International Language · Mathematical Psychology · Modern Tempo Map · Music Psychology · Music Tempo · Neurology · Objectivism · Psychology · Stairway To Heaven · WIKIBPM · WikiTempo · autopsychiatry · conceptual tempo · iTunes · music psychology · pattern · psyche song · self-comfort · self-help · sluggish cognitive tempo
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"As" by Stevie Wonder, from Songs In The Key Of Life, meanspeed=102.1 bpm, meanemotion=natural

June 14, 2009 · Leave a Comment

"As" Stevie Wonder - SONGS IN THE KEY OF IFE - the greatest solo studio double albums in musical history?  I think so.

"As" Stevie Wonder - SONGS IN THE KEY OF IFE - the greatest solo studio double albums in musical history? I think so.

"As" / Stevie Wonder / SONGS IN THE KEY OF LIFE

“As” / Stevie Wonder / SONGS IN THE KEY OF LIFE

Mahnning at Shea

tempo map - Stevie Wonder - SONGS IN THE KEY OF LIFE - as VP

tempo map - Stevie Wonder - SONGS IN THE KEY OF LIFE - as VP

I looked around the internet and beyond in 1988 for a book in which the exact speeds of songs were listed.  I looked for years.  Then I found Bruno Repp of the Hastings Lab, associated with Yale in New haven, who rightly told me that I had not “READ MUCH OF THE EXTANT STUDIES IN THIS AREA OF STUDY.”  This was in 1990, very pre- internet, but I admit now he was right.  But I have had many years to catch up to both the “extant” (I had to look that up – it means a ‘a heck of a lot’).  Still, as the saying goes, the more you know the more you realize what you do not know.  I think this song is archetypical of songs in 4/4 time – “As” being the perfect title to a speed where from 98-105 beats per minute the songs are predictably natural, easy, just: THERE.  I try to describe the speed territories with nouns.  So said, if one had to be a verb or verbal phrase (see Newman Tempo Chart on the right) it would be songs in this category, the working title of which and still ism to be candid, “CARPE DIEM.”  As by Stevie means it is what it is, as, well, it is and that, as every American knows, and I know as the Hillary Clinton and Bill Clinton, as myself, attorneys who passed the bar in their home state and have moved around, what the meaning, in a given context, of what is is.  This matter of defining a verb would be an element of journalism and not a laughing point on the part of non-lawyers if journalists would present themselves as either presenting fact, opinion, or a mixture of both.




The mean frequencies for the live version of “As” by Stevie Wonder are:
meanspeed=102.1 beats per minute
meanemotion=natural
meanbeat=1.702
meanspace=588 milliseconds per beat.
meanspace=2351 milliseconds per measure.
meanphase=1.702 cycles per second.
meanpitch=435.627 Hertz, 82 cents above G#4/Ab4=415.305 Hertz, 18 cents below A4=440.000 Hertz.

/Ian Andrew Schneider/


meanspeed music school

June 14, 2009

revised and extended from information originally measured in July, 1988

Categories: Alternative Therapy · Beatles · Biology · CHRISTIAN · Disney · Education · Entertainment · Eric Clapton · Frank Sinatra · In The Air Tonight · International Language · John Lennon · Johnny Cash · Lose Yourself · MIck Jagger · Marilyn Monroe · Mathematical Psychology · Modern Tempo Map · Music Psychology · National Public Radio · Neil Young · Objectivism · Pat Metheny · Randy Jackson · Rhythm · Self-Help · Sheryl Crow · Simon Cowell · Speed · Stefan Lessard · Tempo Graphic · Time · Timing · autopsychiatry · beats · behaviorism · bpm addiction · conceptual tempo · conditioning · conjecture · constant · creativity · music · self-comfort · self-help · tempo map
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