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Comparing the 1969 Neil Diamond Recording and 2006 Dave Matthews Band versions of SWEET CAROLINE – Looking at tempo elements in precision, Elation as Victory is a different Emotional Concept than Joyous yet Generalized ‘Happiness’ / Calibrations, tempo maps, video, wiki

June 19, 2009 · Leave a Comment

SWEET CAROLINE - Neil Diamond and the Dave Matthews Band 0 tempo map comparing speeds -bpm chart

SWEET CAROLINE - Neil Diamond and the Dave Matthews Band 0 tempo map comparing speeds -bpm chart

SWEET CAROLINE - Neil Diamond and the Dave Matthews Band - tempo map comparing speeds 2

SWEET CAROLINE - Neil Diamond and the Dave Matthews Band -- tempo map comparing speeds a

From everything I have read this past decade, scientists have been able to separate the emotion of exteme happiness or pure joy from the satisfaction of victory itself.  Not That victory cannot bring about joy, but no amount of joy can compete, literally and figuratively with the “thrill of victory.”  Victory is a rush, and, as Jim McCay continued for ABC®’s Wide World of Sports®, over the “agony of defeat.”  And as Joe Garagiola said after the Mets came back to defeat the Red Sox in the 1986 World series, “I don’t know who forst said this Vince [Sculley], but you see it heere, Losing feels worse than winning feels good.”  That is axiomatic psychology.  Even Dr. Phil watchers know that negative experiences average four times the intensity of positive experiences.

/Ian Andrew Schneider/

meanspeed music school

June 17, 2009

SWEET CAROLINE - Neil Diamond and the Dave Matthews Band 0 tempo map comparing speeds 1

Sweet Caroline

From Wikipedia, the free encyclopedia

“Sweet Caroline”
Single by Neil Diamond
from the album Sweet Caroline
Released September 16th, 1969
Genre Pop
Length 3:21
Label UNI/MCA
Writer(s) Neil Diamond
Producer Tommy Cogbill
Neil Diamond
Chips Moman
Neil Diamond singles chronology
“Brother Love’s Traveling Salvation Show”
(1969)
“Sweet Caroline”
(1969)
“Holly Holy”
(1969)

Sweet Caroline” is a pop song written and performed by Neil Diamond and officially released on September 16, 1969, as a single. There are three distinct mixes of this song. The original mono 45 mix had a loud orchestra and glockenspiel compared to the stereo version on the Brother Love’s Travelling Salvation Show LP. The third version was a remix found only on the initial CD release of Neil Diamond’s “His 12 Greatest Hits”. This version has the orchestra mixed down very noticeably and has the background vocals mixed up. It has a longer fade as well. The song reached #4 on the Billboard chart and eventually went platinum for sales of one million singles.[1]

SWEET CAROLINE – Neil Diamond and the Dave Matthews Band – tempo map comparing speeds 2

SWEET CAROLINE – Neil Diamond and the Dave Matthews Band 0 tempo map comparing speeds 1

Contents

[hide]

  • 1 At sporting events
    • 1.1 Teams that play it
  • 2 Covers
  • 3 In entertainment
  • 4 References

[edit]At sporting events

This section does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed. (August 2008)

“Sweet Caroline” is popular at sporting events. Sherrie Levy, Neil Diamond’s press agent, remarked, “I’m not sure how it happened, but we’re very pleased that it happened”. The song has been a tradition at Boston’s Fenway Park since 1997, played at every game in the middle of the eighth inning.

It has since become tradition at many other sporting events for professional and college teams.

The song began being used as a victory song for the New York Rangers during the 2005-2006 season when head coach Tom Renney would play it in the locker room following victories. Shortly thereafter, the song began being played at Madison Square Garden by the PA System at the end of games that the Rangers were winning. However, during that season there were a few times in which the song was played prior to the end of the game with the Rangers in the lead. Some of those even resulted in the Rangers eventually losing the game. Shortly after that, the song began only being played if a game was out of reach for the opponent or after the game.

Many fans substitute “”Ba, Ba, Ba,” by insulting teams they hate and chanting their team name in place of “So Good! So Good! So Good!”

University of Pittsburgh fans substitute with “Let’s Go Pitt!” and instead of “So Good! So Good! So Good!” replace with “Go Blue, Go Blue, Go Blue!”.[5]

The song is usually sung by supporters of English football team Arsenal and Northern Ireland fans where it is heard at Windsor Park before the match, at half time and after the final whistle is blown.

“Sweet Caroline” is the official club song at Brunton Park, home of Carlisle United FC of Football League One, where it is played as the players make their entrance; it is a fan favourite in Cumbria and was chosen by fan vote. In the past two seasons it has also been often used at Hereford United away matches, which is always started by a group of fans known as the ‘Fun Bus’.

In the 2005/2006 English Football season “Sweet Caroline” was adopted by the players of Reading Football Club. For many fans of Reading FC it evokes memories of the record breaking season of 05/06 when Reading scored 106 points to walk away with the Coca Cola Championship title.

At the annual Hong Kong Rugby Sevens, which draws large numbers of tourists to the city, “Sweet Caroline” is amongst the few songs which are hailed as anthems of the major sporting event/festival. The entire stadium tends to burst into simultaneous song during the chorus when the song is played during breaks between games.

In Australia, the song is recited at St. John’s College, University of Sydney after sporting events and at formal dinners where the residents wear academic attire.

[edit]Teams that play it

  • Edenton Steamers
  • New York Giants
  • Cleveland Cavaliers (during halftime)
  • Baylor University
  • Delmarva Shorebirds
  • Central Washington University Rugby Club
  • Northeastern University
  • University of Minnesota Duluth
  • Nashville Sounds
  • Auburn University
  • University of Pittsburgh
  • Harvard University
  • Boston College
  • Boston Red Sox (middle of eighth inning)
  • Penn State
  • The Ohio State University
  • Texas Christian University
  • Minnesota Twins
  • New York Mets (middle of eighth inning)
  • Detroit Red Wings
  • Washington Nationals (during the visiting team’s first pitching change, usually in the 6th inning or later)
  • Brooklyn Cyclones
  • Brevard County Manatees
  • San Jose Giants
  • Portland Beavers
  • Greenville Drive
  • Lowell Spinners (during the middle of the eighth inning)
  • University of Mississippi
  • University of Virginia
  • Vanderbilt University baseball games
  • University of North Carolina
  • University of South Carolina
  • University of Wyoming
  • Florida State University sporting events
  • Purdue University
  • University of Kansas
  • Michigan State University
  • Davidson College
  • Union College
  • Brevard College
  • Charlotte Bobcats
  • Washington State University basketball games
  • New York Jets home games
  • UMass Amherst hockey games
  • Green Bay Blizzard
  • University of Wisconsin-Madison
  • Central Michigan University
  • Iowa State University football games
  • Bowling Green State University football and hockey games
  • Chicago Blackhawks
  • Chicago Bulls
  • Florida Panthers
  • Buffalo Sabres
  • Indiana University basketball
  • UCF Knights baseball games, usually in the 7th inning.
  • The Washington Glory of National Pro Fastpitch also play Sweet Caroline during their games.
  • The Carolina Panthers of the NFL play “Sweet Caroline” after a home game that ends in victory.
  • Somerville High School (Massachusetts)
  • Georgia Tech Yellow Jackets baseball games
  • Johnstown Chiefs of the ECHL during the 2nd intermission of home games at the Cambria County War Memorial Arena.
  • Lake Erie Monsters
  • Syracuse Crunch Toward the end of the second intermission.
  • Guilford College baseball games
  • Odessa RoughnecksIndoor Football League team
  • University of Miami baseball games at the end of 6.
  • Baylor University
  • Ottawa Rapids bankrupt
  • New York Rangers last minutes of the 3rd period in MSG if the Rangers have a substantial lead or in the Rangers locker room.

[edit]Covers

  • In his February 1970 shows at the International, Elvis Presley first sang “Sweet Caroline”, it was so popular, the song remained in his set list for many years. On the first released version from the On Stage album Presley introduced it “A guy had a song out last year. It’s a beautiful song and the guys name is Neil Diamond. I’d like to sing it for you now. Another live version from August 1970 was released in the movie Elvis - That’s The Way It Is.
  • In 1970, Anthony Armstrong took the song into the Top 40 of the country charts. In 1972, Bobby Womack took it into the Top 20 of theR&B charts {#16). A number of other artists have recorded covers, including Andy Williams, Bobby Goldsboro, Elvis Presley, the Ventures,Ray Conniff, Boots Randolph, Frank Sinatra, Guster, and Waylon Jennings.
  • In the 1996 film Beautiful Girls, Timothy Hutton leads a sing-along performance of the song in a Massachusetts bar.
  • In Ireland, in December 2001, a dance version by Dustin the Turkey reached number one in the singles charts, his last number-one hit to date. It was also covered by the punk music band Me First and the Gimme Gimmes on their album Have a Ball. “Sweet Caroline” has also been covered by Reggae group Bunny Rugs & The Upsetters in 1974 on their album To Love Somebody.
  • In September 2004, Jimmy Buffett included “Sweet Caroline” in a medley with “Why Don’t We Get Drunk” during both of his Fenway Park shows (September 10/12, 2004) stating, “Never again will those songs be played together in one medley at Fenway Park.”
  • Dave Matthews Band followed suit and performed “Sweet Caroline” at Fenway Park on July 8, 2006 and again on March 24, 2007, at the MGM Grand Garden Arena in Las Vegas, Nevada.
  • During U2’s PopMart Tour, U2’s guitarist The Edge performed several karaoke versions of “Sweet Caroline”.
  • The song was covered by The Railbenders, a Denver-based hard-country band on their 2003 release Segundo.
  • Angelo Venuto recorded a techno version of the song.
  • Bobby Darin performed the song live, but at a slower, more dramatic tempo. This cover is available on the HYENA DVD Bobby Darin- Seeing Is Believing.
  • Jonathan Coulton often performs the song with Paul and Storm as part of his encore.
  • According to the album literature of 1996’s In My Lifetime, Diamond came up with the famous A6 chord (used in the “…hands, touching hands” portion of the song) in the song in a hotel room one night.
  • Sweet Caroline is regularly sung by Anthony Cumia (Opie and Anthony) during Pest gatherings.
  • On season 7 of American Idol, runner-up David Archuleta performed this song the night Neil Diamond mentored the contestants.
  • Joe Dolan recorded a cover shortly after his death.
  • It is said to be that the Jonas Brothers on their 2009 World Tour will perform a cover on it.

[edit]In entertainment

  • The song served as the opening theme for Caroline Rhea’s short-lived 2002 talk show. The audience often sang along with the song as well.
  • The song was heard as Detroit Tigers’ manager Jim Leyland’s ringtone in a December 2007 press conference.
  • The song was often played in tribute to the offshore radio station Radio Caroline in documentaries about the radio station, such as ‘The Story of Radio Caroline’ by former Radio Caroline DJ Ted Payne.
  • The song appears in the game Karaoke Revolution Party.
  • The “so good, so good, so good, so good” wrinkle was first observed being played during the 1970s on Long Beach Island, New Jersey, by the duo Paul Presto & Jackie Vee at the Surf City Hotel. And it went on — and on — from there.
  • Sweet Caroline is now a Neil Diamond fan community.
  • The song is featured in a montage of Fenway Park in Fever Pitch (2005 movie) (starring Jimmy Fallon and Drew Barrymore).

[edit]References

  1. ^ “”Neil Diamond: Biography”". Billboard.com. Retrieved on 2007-11-20.
  2. ^ Dan Glaister (2007). ”Neil Diamond reveals secret of Sweet Caroline”. The Guardian Unlimited. Retrieved on November 21 2007.
  3. ^ Carol Beggy and Mark Shanahan (2007). ”‘Sweet Caroline’ revealed”. The Boston Globe. Retrieved on March 15 2008.
  4. ^ Cohen, Sandy (20 November 2007). “‘Sweet Caroline’ was Caroline Kennedy”. Newsweek. Retrieved on 2007-11-20.
  5. ^ [The origin of the "Go Blue" chant|www.thegreatestsiteintheuniverse.com]

The song is also on the soundtrack to popular disney movie Cars.

Categories: International Language · Mathematical Psychology · Music Psychology · Neurology · Psychology · Rhythm · Speed · Tempo · Tempo · music
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Sweet Caroline, covered by the Dave Matthews Band – part Two of Three – 125 3/5 bpm, as Metallica’s Enter Sandman, bpm graphs, tempo maps, time-velocity charts and video illustration point to the invisibly obvious – the speed of victory.

June 18, 2009 · Leave a Comment

[/caption]Mean Speed® Graph - Tempo Graphic - #36 - Dave Matthews Band - listener supported - 5

[/caption]

Mean Speed® Graph - Tempo Graphic - #36 - Dave Matthews Band - listener supported - 4

Mean Speed® Graph - Tempo Graphic - #36 - Dave Matthews Band - listener supported - 4

Dave Matthews Band - Meanspeed Music School Tempo Graph - SWEET CAROLINE - 1705

Dave Matthews Band - Meanspeed Music School Tempo Graph - SWEET CAROLINE - 1705

time-velocity chart . tempo map - Dave Matthews Band lfmn0517

time-velocity chart . tempo map - Dave Matthews Band lfmn0517

Dave Matthews Band - Meanspeed Music School Tempo Graph - SWEET CAROLINE - 1705lh

Dave Matthews Band - Meanspeed Music School Tempo Graph - SWEET CAROLINE - 1705lh

time-velocity chart . tempo map - Dave Matthews Band lhhp

time-velocity chart . tempo map - Dave Matthews Band lhhp

time-velocity chart . tempo map - Dave Matthews Band 122585

time-velocity chart . tempo map - Dave Matthews Band 122585

and bridge are laid out the same way.
time-velocity chart . tempo map - Dave Matthews Band 7

Mean Speed® Graph - Tempo Graphic - #36 - Dave Matthews Band - listener supported - 5

Mean Speed® Graph - Tempo Graphic - #36 - Dave Matthews Band - listener supported - 5

Spencer Speed Summary

mean speed / average expected tempo=125.6 beats per minute

average beat=0.4777 seconds

emotional concept predicted by the meanspeed music theory=victory/celebration/conquering/ebullience

Ian Andrew Schneider
Meanspeed Music School
June 18, 2009 – Happy Birthday, Sir Paul McCartney, the godfather of contemporary popular songs

Categories: Academia · Alternative Therapy · American Apartheid · BPM · Beatles · Biology · Bob Dylan · Carter Beauford · Dave Matthews Band song tempo · Education · Entertainment · International Language · John Lennon · MIck Jagger · Mathematical Psychology · Modern Tempo Map · Music Genome Project · Music Psychology · Neil Diamond · Neurology · Objectivism · Randy Jackson · Rhythm · Robert Plant · Roger Waters · Rolling Stone 500 · Rolling Stones · Ron Wood · Roy Bittan · Russ Hoffman · STOP INTELLECTUAL THIEVES · Sarah Palin · Self-Help · Simon Cowell · Sir Paul McCartney · Sound Conditioning · Speed · Stefan Lessard · Tempo · Tempo Graphic · Tim Reynolds · Time · Timing · Tom Brady · WIKIBPM · WikiTempo · behaviorism · bpm addiction · intellectual property · meanspeed constant · meanspeed music education · pattern · self-comfort · self-help · sluggish cognitive tempo · tempo map
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THE NEW YORK TIMES, ELITES FOR ELITES, in action – “Be an expert at ONE thing: pretend you never heard of the meanspeed® music school. [We'll] all be out of our professorships and journalist social rankings, THEREFORE DO NOT LET THIS OUTSIDER IN. [HE] EXPOSES ALL OF US.” Yeah, I do, and I will continue to so do until you all get jobs.

June 11, 2009 · Leave a Comment

tempo graphics by the meanspeed music school
meanspeed_loneliness_speed_graph_stairway_to_heaven

meanspeed_loneliness_speed_graph_stairway_to_heaven

Meanspeed Music modern tempo map - Stairway To Heaven- Led Zeppelin - graph 2

Meanspeed Music modern tempo map - Stairway To Heaven- Led Zeppelin - graph 2

NEW YORK TIMES’ DISINGENUOUS, POMPOUS, MISLEADING, SELF_SERVING OBSOLETE WORDS SOLD AS…NEWS.  Makes one sick.
THE GREAT SOUNDING PHDS RIP OFF UNIVERSITIES, AEROBICS INSTRUCTORS RIP OFF THEIR SO CALLED CLIENTS.  That which is discussed in today’s “article” was copyrighted over 17 years ago.  Not that I wasn’t warned that so-called journalists and so-called [teachers] would not take what I had, do a Steve Jobs-special (take an old, obsolete idea that you had, after a presentation of a piece of software you “had no interest in” – the, viola, call it yours)
There is my safety net though.  Not only does each of the 85 comments reflect that no one type of workout fits any one person, not only is there no correlative value placed on speed and emotion, not only is the article hereunder internally inconsistent in logic – as Rocky’s 94 bpm, the speed of enthusiasm being 90-97 SPEED being the jey to its success, NOT the stupid bell in the beginning: these professionals, ALL of whom need to find real jobs now that their “work” is being exposed as below obsolete, irrelevant what the Times even calls “rough science” (whatever that meas) and just wrong as they are truly great experts at one thing: pretending not to understand that what I have exposed in print since 1992 and online from August 2004.  For if they did admit to so understanding, those cushy PhD studies would be found wholly unnecessary.  The so-called journalist who wrote the article would actually have to commit to an objective fact somewhere therein.
Oh, but doesn’t everybody know it: nothing is worse than change.  Moving.  Getting a divorce.  Learning how to tell time.
I said: LEARNING HOW TO TELL TIME, AS I HAVE written here for over five years.
Oh – my safety net: let one of these so called experts tell you who, why and how I deduced that the square root of one second was the emotional and mathematical mean speed of music in general.  When they – ANY OF THEM – can do that, I’ll be shown up.  Until them I’ll continue to write about these “experts” who are not only over paid – they ought not be paid AT ALL.  It’s like paying a golf instructor to tel you that if the ball lands in the hole you “proceed to the next hole.  That’ll be tenure, a home, hea;lth insurance for my extended family for life for that please – oh, and money for a study on how to get to the next hole – should one walk or take a cart?  Carry themselves or get a “boy” to do it?  More money please.”
This stuff is what give the Times its deserved name as a RAG that is run by and for elites in order to maintain a false social order.  When you are involved in things like that, by ALL MEANS:  “[We] must pretend not to know what that meanspeed music scale is about!  We’ll have to find NEW things to study!

New York Times

Fitness

They’re Playing My Song. Time to Work Out.

 

Jon C. Hancock/Associated Press (left); Donna Alberico for The New York Times (middle); Stephanie Kuykendal for The New York Times

 

Published: January 10, 2008

FITNESS magazines and Web sites love to ask readers about their favorite workout music while presenting their playlists or suggestions from celebrities. Self.com features the “ ’80s cardio playlist,” which includes the short-shorts video classic “Wake Me Up Before You Go-Go” by Wham! On Fitnessmagazine.com, the singer Rihanna reveals her favorite workout songs — immodestly recommending four of her own for “when you have to pick up the pace on the treadmill.”

Skip to next paragraph 

Related

Tunes for Every Tribe (January 10, 2008)

Readers’ Comments

What music do you like to listen to when you work out?

//

The playlist fixation has a scientific basis: Studies have shown that listening to music during exercise can improve results, both in terms of being a motivator (people exercise longer and more vigorously to music) and as a distraction from negatives like fatigue. But are certain songs more effective than others?

Generally speaking there is a science to choosing an effective exercise soundtrack, said Dr. Costas Karageorghis, an associate professor of sport psychology at Brunel University in England, who has studied the effects of music on physical performance for 20 years. Dr. Karageorghis created the Brunel Music Rating Inventory, a questionnaire that is used to rate the motivational qualities of music in the context of sport and exercise. For nearly a decade, he has been administering the questionnaire to panels representing different demographics, who listen to 90 seconds of a song and rate its motivational qualities for various physical activities.

One of the most important elements, Dr. Karageorghis found, is a song’s tempo, which should be between 120 and 140 beats-per-minute, or B.P.M. That pace coincides with the range of most commercial dance music, and many rock songs are near that range, which leads people to develop “an aesthetic appreciation for that tempo,” he said. It also roughly corresponds to the average person’s heart rate during a routine workout — say, 20 minutes on an elliptical trainer by a person who is more casual exerciser than fitness warrior.

Dr. Karageorghis said “Push It” by Salt-N-Pepa and “Drop It Like It’s Hot” by Snoop Dogg are around that range, as is the dance remix of “Umbrella” by Rihanna (so maybe the pop star was onto something). For a high-intensity workout like a hard run, he suggested Glenn Frey’s “The Heat Is On.”

Music preferences are as idiosyncratic as workout routines, of course. Allison Goldberg, a 39-year-old life coach and amateur runner who lives in Texas and who is training for the Houston Marathon on Sunday, has been running to the Green Day CD “American Idiot” because, she said, “There’s no way you can run slow to Green Day.” (Though she may not be listening on race day; a rule bars runners from using portable music players and headphones.) Haile Gebrselassie, the Olympian from Ethiopia who has won the gold medal at 10,000 meters, often requested that the techno song “Scatman,” which has a B.P.M. of around 135, be played over the sound system during his races.

Ms. Goldberg also includes on her playlist “Don’t Phunk With My Heart” by the Black Eyed Peas (130 B.P.M.), “Mr. Brightside” by the Killers (150 B.P.M.), and “Dancing Queen” by Abba. The musical style that seems to most reliably contain a high B.P.M. is dance music, said Richard Petty, the founder of Power Music, a company that has produced workout compilations for instructors and fitness enthusiasts for two decades. “A rock song doesn’t have that same consistency,” said Mr. Petty, a former D.J. who takes a metronomic approach to making exercise music: He chooses a hit song with a catchy melody — say, “Gold Digger” by Kanye West — and produces a remix whose B.P.M. count is tailored to experience level and type of workout.

For a stroll walker going at a pace of around 3 miles an hour, a remixed track has a count of 115 to 118 B.P.M.; for a power walker going 4.5 m.p.h., the count is 137 to 139 B.P.M., while the B.P.M. for a runner elevates to 147 to 160.

The compilations, aimed largely at women doing cardio, with titles like “Shape Walk — 70’s Hits Remixed,” contain no pauses between songs. That unwavering beat allows a person to synchronize their movements to the music, something that Kate Gfeller, a music professor at the University of Iowa, said is crucial.

“Music provides a timing cue,” said Professor Gfeller, who after taking an aerobics class several years ago where the teacher picked music whose tempo didn’t match the moves, was inspired to study the components of music most important to a gainful workout. “It helps you to move more efficiently, which, in turn, can help you with endurance.” (She likes to warm-up for figure skating to the Buena Vista Social Club, in particular the songs “Candela” and “El Cuarto de Tula.”)

In other words, the best workout songs have both a high B.P.M. count and a rhythm to which you can coordinate your movements. This would seem to eliminate any music with abrupt changes in time signature, like free-form jazz or hard-core punk, as well as music that varies widely in intensity, like much of indie rock. It also rules out what the writer and neurologist Oliver Sacks calls “music which doesn’t have adequate rhythmic force.”

“Here, I think of Wagner,” said Dr. Sacks, whose recent book, “Musicophilia,” discusses the link between rhythm and movement. “Nietzsche wrote of what he called Wagner’s ‘degeneration of the sense of rhythm.’ ”

Dr. Sacks is fond of swimming, and said the one-two-three cadence of his strokes often leads him to play a waltz in his mind. “Neurologically, it makes no difference if you’re listening to music or imagining it,” he said. “Vivid imagining activates motor parts.”

Much of the research done on music and exercise is geared toward aerobic workouts like jogging and cardio. But as anyone who has heard Metallica blasting from a weight room stereo knows, music is a motivator in strength training, too. “The vast majority of bodybuilders are fans of heavy metal, if not in their personal life at least in the gym,” said Shawn Perine, a senior writer at Flex magazine. Loud, aggressive music, he said, “keeps you elevated, especially in between sets.”

Mr. Perine prefers to work out to hip-hop. “Let’s say you’ve done a grueling set of squats,” he said. “You’re out of breath, and L. L. Cool J’s ‘Mama Said Knock You Out’ comes on. Your energy won’t flag.”

But is there a perfect workout track, a song that transcends exercise forms and personal preferences? One comes up repeatedly: “Gonna Fly Now,” the theme from “Rocky.” In a forthcoming book on music and sport that he contributed to, Dr. Karageorghis writes that the song “evokes a state of optimism and excitement in the listener,” and Ms. Goldberg said it helped her get through her first marathon. The band from Bishop Loughlin Memorial High School in Brooklyn has set up along the New York City Marathon route and performed the “Rocky” theme for runners each race day for the last 30 years.

Bill Conti, the song’s composer, shed light on why it continues to motivate. “I put a Da-Da! in the beginning,” Mr. Conti said. “any kind of Da-Da! gets your attention. Then it goes into a tune we’ve heard played so weepily throughout the movie, but now I put a beat behind it and put it in a major key.” When Rocky runs up the museum steps, musically, Mr. Conti said, “I am milking it as much as I can.”

meanspeed music tempo map - stairway to heaven - led zeppelin

meanspeed music tempo map - stairway to heaven - led zeppelin

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