Meanspeed® Music Review

Psychology of the Determism of Music: Here, Fatalism? – “Smells Like Teen Spirit” – speed=117.4 bpm, a tempo which predicts FOREBODING, HAUNTEDNESS, DOOM

February 10, 2008 · Leave a Comment


Today I walked through the rain to my law office. Everyone was talking about either being unemployed, how to avoid getting fired and how to interview for a job for which you have no background either in the abstract (school) or real (the Federal Withholding tax for the Impoverished, the most shameful tax in the history of the country). Mass confusion. The song that came to mind and that which I spent some time on last night, feeling this panic of a city coming on: Smells Like Teen Spirit by Kurt Cobain and handed to his band Nirvana.



Trust me on this: as many 100s, which seems as thousands of times I have heard during this NFL season “the team must control the tempo of the game,” the only analyst that actually tried to define what same meant was Sterling Sharpe of the NFL channel. He called “controlling the tempo” as ‘Being in sync with your teammates.’
Cobain's free-floating fear

I am saying that I am an NFL addict, but I do not listen to every game, therefore I am sure more have tried to do it – the best out there, that of a Dan Dierdorf, a Phil Simms, Brian Billick, Brian Baldinger all have taken shots at what controlling the tempo of the game actually means. Anyone out there may feel free to email me at the address listed in my profile, meanspeed@gmail.com, with other examples you may have heard.

One could easily ask: why isn’t Kurt Tangled Up In Blue? Why? The lyrics, should you visit one of the millions of lyrics site, are actually happier in the song at the speed of panic and foreboding, 117 2/5 beats per minute, according to the meanspeed music conjecture. If you look at the lists on the above screen, you will find that the chance of a song at 117 2/5 bpm being haunted are high: Every Breath You Take, Billie Jean, Land Of Confusion – once you *feel* it you may use it to control your tempo. You may use your knowledge of what happens at that speed to *not* let the tempo control *you.* For example, if you are the kicker for the New York Jets, and before a kick, Buffalo calls a a cheap ‘ice you, little boy’ Time Out, and the crowd is blasted with this song: FEAR NOT. It’s only an attempt to control the tempo, literally and figuratively, using the crowd.

Meanspeed-Carlton Summary
song title=SMELLS LIKE TEEN SPIRIT
performer=Nirvana
mean speed/median velocity/average standard tempo=117 2/5 beats per minute
emotional concept as predicted by the meanspeed music conjecture=foreboding
emotional concept as actually heard=suicidally haunted

/Ian Andrew Schneider/
December 11, 2008


What is foreboding, anyway? Courtesy of Mirriam Webster’s Collegiate 11th edition: coined around 14 c.–an omen, prediction or presentiment esp. of coming evil: portend. Most useful: the descriptive word “foreboding”‘ is the presentiment or fortelling which indicates that the speaker/singer/musician feels an indescribable force–often, as noted, a bad omen. Then again, as anyone knows who has been in a situation where all hopes seemed dashed by a terrible sign of things to come, all matters about which you stress are resolved with a positive ending . In Kurt Cobain’s case, the result was: suicide. was this song a presetiment of Kurt’s blowing himself away? Hole knows.





This song by the American band Nirvana called Smells Like Teen Spirit is the ultimate, the “archetype” song in contemporary music. The song is within one beat per minute as the haunted EVERY BREATH YOU TAKE by the Police (Again, thank you jack for the 4th row center seats for same concert at same stadium, August 5th, 2007), BILLIE JEAN (by Michael “whoooooooooooo!” Jackstone) and Clapton’s pleading, burning, yearning LAYLA. This list is taken from this page. All songs are were chosen at random. Are the emotive themes SO obvious that no one but the staff at Meanspeed Music will say: the speed of a song is more predictive of emotive content than any other element of a song? Hey, you readers, I have the statistics of your visits. Meanspeed Music Theory is the best kept secret in music. Is speed the most important element of a song? No. Is the music determinism, the idea that speed predicts the emotion, the most OVERLOOKED theory in music? We think so! Actually we *know* so – but until that of a Collins, McCartney or Simon Cowell publicly acknowledges that the theory is tested and worthy, we at Meanspeed Music Studio forge ahead. Tom Brady’s Track #21 from his iTunes Athletic Inspirations Playlist is “Smells Like Teen Spirit” by Nirvana. Says Tom: “One of the first songs on my workout playlist.” The “meaning” of this song is not known. What is known is that on their NEVERMIND album, what became “Smells Like Teen Spirit” was never written as a song. Rather, it was a guitar riff of Cobain that became infectious among the engineers. The engineers and the rest of the band encouraged Kurt to finish what is now the most famous song the left handed mystery man left behind. What could be behind the angst? Could it have been Kurt’s mental torture, as he was drinking bottles of codeine (a prescription narcotic) and Jack Daniels whiskey (poison, by definition) around the clock during the recording of the album? Was it a case of Alvin Toffler-esque FUTURE SHOCK? Meaning: This American empire was in 1991 (and keep in mind, 9/11 was over a decade away) so vast as to be almost uncontrollable, and society changing from Agrarian–>Industrial–>Technological–>Digital as to create an undefinable frustrated malaise amongst the population. Could Kurt have been more spot on? ‘Spot on’ is an English phrase that thanks to the rise of genius Ricky Gervais makes it acceptable to use in the States. We really began to see this portrayed perfectly in the classic film – the *ultimate* high school movie which prophesied mass high school massacres: Heathers starring Christian Slater and Winona [Horowitz] Ryder. Frustration about the future of the Western world is keenly seen by the Valley people. The final scene of the masterpiece–Heathers–bear the most eerie liking to the music video for Smells Like Teen Spirit.



And the Smells like Teen video? The video features a distorted high school scene of mass murder. Kurt was indeed a prophet: he could see that with civilization has cancer – uncontrollable growth that will kill the host – as nuclear weapons WILL kill every human – the only question is *when*. Any Dennis Kusinich out there who is going to “do away with WMD” – call me up, *I* could use some pie-in-the-sky foolishness. But for you optimists out there:

Meanspeed® Tempo Graphic - Nirvana - Smells Like Teen Spirit

Meanspeed® Tempo Graphic - Nirvana - Smells Like Teen Spirit

All graphs are based on a spreadsheet generated with this method, as described on this page’s Methodology drop-down screen: a) I calibrated groups of every single measure (four quarter-notes) ten times with Seiko 300-lap stopwatches; b) Ten trials were averaged, coordinated and synthesized. I the created the speed graph in Microsoft’s Excel for MacIntosh 2004 on an Apple iBook G4 as hardware. One of the graphs derived from the results, in a radar graph style was printed on an Epson CX4600, scanned on same printing device. The fine espresso coffee made at Meanspeed Music Studio was courtesy of Meredith and United States Army Bronze Star Army Captain Jeff Schneider of TexasRoast.com.

speed graph © 2007 meanspeed.com


This song by the American band Nirvana called Smells Like Teen Spirit is the ultimate grunge rock foreboding song. What is foreboding, anyway? Courtesy of Mirriam Webster’s Collegiate 11th edition: coined around 14 c.–an omen, prediction or presentiment esp. of coming evil: portend. Most useful: the descriptive word “foreboding”‘ is the presentimet or fortelling which indicates that the speaker/singer/musician feels an indescribable force–often, as noted, a bad omen. Then again, as anyone knows who has been in a situation where all hopes seemed dashed by a terrible sign of things to come, all matters about which you stress are resolved with a positive ending . In Kurt Cobain’s case, the result was: suicide. was this song a presetiment of Kurt’s blowing himself away? Only Hole knows for sure. With so much written about the apparent “meanig” of this song, as linked above on sites as established as Wikipedia.org and Songfacts.com that I have chosen a graph made with numerical coordinates that visually display the warning about dangerous things to come associated with this song: Kurt’s suicide, an American empire so vast as to be almost uncontrollable, and society changing from Agrarian–>Industrial–>Technological–>Digital so fast and furious as to create an undefinable frustrated malaise amongst the young. We really started to see this portrayed perfectly in the classic film Heathers starring Christian Slater and Winona [Horowitz] Ryder: the frustration about the future of the Western world is keenly seen by the Valley people. The final scene of the masterpiece–Heathers–bear the most eerie liking to the music video for Smells Like Teen Spirit.





Ian Schneider
February 10, 2008

Categories: Alternative Therapy · Entertainment · International Language · Mathematical Psychology · Music Genome Project · Music Psychology · Neurology · PoC · Psychology · Rhythm · Self-Help · Tempo · Tempo · Tempo Graphic · Time · beats per minute · music · pattern · self-comfort · sluggish cognitive tempo
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